I’ll say it again: the onus of the cost of creation is shifting towards the creators. Which means that marginalized voices are becoming even further excluded because they cannot afford to create. Used to be, a writer came up with a book, or a play, or a film script, and sold it to people willing to invest in it. The
Two thirds of the year are done, which feels like a fair benchmark for stopping to examine how this year has gone for me in terms of sales and page reads. Though, to be clear, I have to say that these numbers will only include Amazon (ebooks) and Ingram (print sales). I am slowly rolling content out to other sites
This old chestnut of an argument has recently reared its head again: “Self-published authors aren’t real authors.” (See also: “Self-published books aren’t real books.”) So, of course, let’s go through the debate once more. What this pronouncement almost always boils down to is the idea that, in order for any book or author to be “good,” they must go through–and
I was thinking… Well, I was feeling a little bit irritated, really, about the way a few things had turned out. But that’s neither here nor there, except that these musings brought a certain clarity to me about how the publishing industry has shifted the bulk of the work onto authors. These thoughts came about, as many often do, during